I must say that I truly enjoyed listening to JLA last weekend. For some reason I found his music incredibly deep and inspiring. In reading about him I learned about the influence his home in Alaska has on him. I could really see the frozen tundra of the north shining through some of his pieces. I saw this especially in “The Light That Fills the World.” The swirling drones of the higher registers combined with the rumbling bass created this very astral effect on me. It was a strange feeling that started in my hands and then kindof shook my body. In listening I could see myself watching something so naturally bazzar (however that’s spelled) as the Aurora Borealis. Which in itself connected with this song. There are all these high colors swirling in lines together creating this great painting in the sky, which is exactly what “The Light That Fills the World” did to me. I could hear all these colors combining and spackling together, as if I could actually see them. The ending of the piece was perfect. There is a slight climax of the deep rumbling of the bass, with the raindrops of the xylophonie instrument and the higher strings, that forced themselves upon each other, and then slowly peeled themselves off one by one as if it hurt a little animal. And that little animal is all that is left, whimpering away until the song ends. That one note sounded so perfect and crisp once it was left alone from all the other things that were piled on top of it.
In critique of the piece I must say it often became repetitive, repeating similar sections over again. Low bass rumbling, with some added higher drones followed by the wobbly jingles then change. Yes they were all slightly different than previous sections, but in terms of format these parts were often repeated one after another. However, it seemed to work out pretty well.